One of my all time favorite lines comes from Sunset Boulevard. Betty Schaefer tells Joe Gillis that his screenplay is no good and explains that she believes pictures should say a little something. I, too, believe films should say a little something. Why else do we write? Because we have something to say.
Choose a film. Gone with the Wind. What does it say? A Beautiful Mind. What does it say? Ever see a film that doesn't say anything at all? Or maybe it said something but it was so vague or heavy handed or buried in explosions and car chases that you didn't hear what it was saying? Was that film any good? Yes? No? Maybe? Sort of?
Don't get me wrong. I am NOT pitching heavy handed message films. Recently I saw a comedy that was so beaten up by the message that it ruined what could have been a delightful film. Instead it was a mean spirited dismal mess. At one point in the film, my brother and I looked at each other and both asked the exact same question at the exact same time about the hero's journey. Not good.
On the other side of the coin, I took my son to a different film (which either lacked theme or I missed it) and as we left the theater, my 17 year old's comment was "well, that was pointless".
Often, when asked what a story is about, a writer will immediately mention the theme. That's because usually we writers are so anxious to get our points (message) across. Let's use It's A Wonderful Life as an example. Suppose I'm pitching it and I'm asked what it's about. I might say it's about how a man's humble life makes a gigantic difference to a great many people even though he believes his life was wasted . Pffft. Noooooo. That's the "say a little something" Betty Schaefer was talking about. That's not the story. The producer doesn't want to know what I have to say. He wants to know how I'm going to say it. A man thinking about suicide meets an angel and gets to see what the world would be like if he never existed. That's the story. Through that story I get to say that every life, no matter how seemingly thankless and without glory, has a butterfly effect on the world. That's the "say a little something".
Writers write theme. Writers teach theme. Writers study theme. Writers explore theme. Writers talk about theme. Writers overlap and combine themes. Some writers even confuse theme with tone when discussing theme but hey, I split infinitives now and then. Nobody's perfect. The point is that writers love theme! I know they write it. I know they do.
Yes, films need more than story and theme but I'm not on characters, timing, structure and all that other stuff today. I have a soap box to get on and there's a huge bottle of whine to go with my cheese sandwich. A big fat bone needs picking and I intend to pick it right here and right now.
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Okay. All done.
3 comments:
Bizzare post, Maryan. I found what you had to say convoluded. Fencing with Fog? No, more like lost in a fog.
"Gran Tarino" by Clint Eastwood is the last great movie that really had something to say, that I can remember anyway. IF you haven't seen it, you should.
Movies work in different ways. Genre and desired tone has A LOT to do with how important "theme" and a writer's intedended message is. Comedies should be funny; theme, typically not very important. A rom-com, should plant some seeds as how to deal with the opposite sex; theme: more important than a sheer comedy, but by no means a deall-breaker. Horror movies should scare you; theme; middle-ground. Action movies should move you like a rollercoaster; theme: seldom if ever has any importance. Drama; theme: really adds the spice of the movie.
Just a few random thoughts after reading your blog post after a 10 hour shift on a Saturday ;P
- E.C. Henry from Bonney Lake, WA
Bizarre and convoluted, yes. That's the point. I danced all around what I wanted to say without really saying what I wanted to say. That's what a themeless film is like. QED.
And your position on theme is baloney. Genre doesn't matter. You really don't think the Saw films have themes? Here's a few more random ones off the top of my head. Home Alone? Family reconciliation. Robocop? The man with all the money makes the laws. Shrek? Self acceptance. Pirates of the Caribbean? Moral ambiguity.
Without theme, films feel pointless. It's like getting on a carousel for an hour and a half.
Hi MaryAn
I agree, theme is important and it does feel pointless when I cannot get a glimpse of it.
Anyway, I just wanted to let you know that the London Screenwriters' Festival 2011 kicks off on October 28th for a three day festival like no other - http://www.londonscreenwritersfestival.com. It will be a fantastic opportunity for getting in touch with fellow writers and industry professionals.
Best wishes,
Monica
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