Of all the people I talked to at the Austin Film Festival and sessions I attended, I think the one on one time I had discussing the film industry and incentives in Texas with Bob Hudgins was probably the most informative for me. When people talk about what more we can do to bring feature films, television programs, video games, commercials, music videos, infomercials and documentaries to our state, the more fired up I get.
Call it Texas pride. Whatever. I wasn't born. I was hatched with armadillos.
We have a lot of work left to do in Texas if we want to compete with what other states are doing. I know this and in some respects, we're at a disadvantage in that our legislature only meets every other year. But Texas' incentive program is improving. We now offer grants equal to 5% of in-state spending and combined with our tax abatements, we're getting close to 10%. Details on Texas incentives can be found here.
But seriously, in what other state can you find coasts, deserts, piney woods, canyons, lakes, dinosaurs, and Chuck Norris? Hmm? Where?
I met with Bob prepared to discuss three issues (1) there are only nine regional film commissions in Texas (2) East Texas is virtually unrepresented and (3) local government education. He didn't give me time to discuss any of them. He had a solution in progress for each of my concerns. Every last one of them!
REGIONAL FILM COMMISSIONS - While there are only nine regional film commissions at the moment, Texas is a state with 268,581 square miles which is about seven percent of the water and land area of the United States. Nine just doesn't cut it. But according to Bob, seven more film commissions are in formation as we speak, most of which are due to launch by the end of the year and the one that concerns me the most? Keep reading.
EAST TEXAS FILM COMMISSION - As of October, 2007, the East Texas Film Commission stationed in Palestine, Texas, is a go. Couldn't have timed it better. It's almost as if I said "Bob, I want an East Texas Film Commission" and he rubbed his magic lamp. Poof! There it is. East Texas is one of the most beautiful and yet under served areas of Texas as far as film commissions go. These are areas where small historic towns might feel overwhelmed by and unable to serve the needs of a film production and yet have the most to offer. Ironic.
FILM FRIENDLY TOWNS - I have long thought we were failing our small towns by not equipping them with any knowledge of the film industry and, at the same time, setting our films up for failure by sending them into cities and expecting them to figure out permits, deal with street closures, and face local government bureaucracy alone. Ever try to blow up a building in a small town? Good luck getting a permit.
It's frustrating on both sides because on the film shooting side, cost and time are critical and on the local government side, certain processes are a necessary evil. It's like sending out a foreign correspondent without an interpreter.
What the Texas Film Commission has done to address this is develop a program where towns are designated FILM FRIENDLY if they (1) assign a point person to help work out logistical details for film projects and help get them through processes - somebody who speaks both film language and government language (2) prepare information ahead of time that will help productions get through the town's processes, answer questions ahead of time, and reduce the amount of gobbledygook both on paper and in person that film personnel must decipher.
There are countless stories of productions being shut down for hours or days or even taking their toys and going home because somebody didn't know a certain kind of permit was required or that a permit had certain publication and advertising stipulations or that so-an-so approved the street closing and parade but that the Mayor had booked a craft fair on the square that day or the police officers that were going to work traffic were called away for an emergency funeral. FILM FRIENDLY towns will have a point person who knows the local officials to help circumvent these kinds of issues.
It's brilliant, I tell you.
GRANT AMOUNTS - Funding for grants is a maximum of $2 million for feature films, $2.5 million for television programs, $200,000 for commercials, and $250,000 for vido games. Keep in mind that this is in adddition to tax abatements. And yeah, rules apply so go to the Texas Film Commission production grants page and see if you qualify.
Stuch and Bruch is the idea that every fencing technique has a counter and every counter has a technique. Technique and counter are two major components of German swordsmanship and a fair description of my screenwriting adventures and life.
Showing posts with label Texas Film Commission. Show all posts
Showing posts with label Texas Film Commission. Show all posts
Saturday, October 20, 2007
Thursday, April 12, 2007
Legislative Nod for Film Industry in Texas
House Bill 1634, which provides incentives for film, television, and multimedia production industries, passed unanimously today on third reading. According to the Texas Film Commission, Texas has lost 29 films, $313 million in direct spending and approximately 4500 jobs to states that offer incentives. This bill has had a long journey through the legislative process already but when it finally made it through the House, it was without a single vote a dissension.
Personally, I think portions of this bill are too lean and I have a concern with one particular provision. However, in all fairness, I haven't compared the incentives to other states so my local government perspective probably means squat. And, even if I'm right, I think at this stage, you have to pick your battles. Better to get this bill on the books and seek an amendment in the next legislative session than to stall any longer.
On to the Senate.
NOTE TO AUSTIN:
Will someone please explain to me how the Legislative Budget Board can report to the Recreation & Tourism Committee that "No significant fiscal implication to the State is anticipated" in this memo? (which has bad information, by the way - I think the bill was amended after it was written)
Here's the thing. Isn't it BECAUSE we anticipate MONUMENTAL fiscal implications to the State that we even want this? Yeah. Yeah. I know you're talking about budget amendments and funding required to pass the bill but that's not what it looks like to non-government average Joes and filmmakers tracking the bill online. To them, it looks like the bill won't be funded. Besides, form memos feel more like they're reporting about congratulatory resolutions on 100th birthdays than critical legislation.
So, please --
(1) Word internal memos more carefully and consider the public relations implications of taking a cookie cutter approach to reporting on bills (yes, I do know how many you report on)
(2) Take this one off the web. Yeah, it's public record but if anyone wants to see it they can get it in Austin. Take it off. Please. It's not accurate anymore anyway and we look like schmucks.
Oh, and thank you. Thank you very much for the vote today.
HB1634 Legislative History Online
Texas Film Commission
Personally, I think portions of this bill are too lean and I have a concern with one particular provision. However, in all fairness, I haven't compared the incentives to other states so my local government perspective probably means squat. And, even if I'm right, I think at this stage, you have to pick your battles. Better to get this bill on the books and seek an amendment in the next legislative session than to stall any longer.
On to the Senate.
NOTE TO AUSTIN:
Will someone please explain to me how the Legislative Budget Board can report to the Recreation & Tourism Committee that "No significant fiscal implication to the State is anticipated" in this memo? (which has bad information, by the way - I think the bill was amended after it was written)
Here's the thing. Isn't it BECAUSE we anticipate MONUMENTAL fiscal implications to the State that we even want this? Yeah. Yeah. I know you're talking about budget amendments and funding required to pass the bill but that's not what it looks like to non-government average Joes and filmmakers tracking the bill online. To them, it looks like the bill won't be funded. Besides, form memos feel more like they're reporting about congratulatory resolutions on 100th birthdays than critical legislation.
So, please --
(1) Word internal memos more carefully and consider the public relations implications of taking a cookie cutter approach to reporting on bills (yes, I do know how many you report on)
(2) Take this one off the web. Yeah, it's public record but if anyone wants to see it they can get it in Austin. Take it off. Please. It's not accurate anymore anyway and we look like schmucks.
Oh, and thank you. Thank you very much for the vote today.
HB1634 Legislative History Online
Texas Film Commission
Tuesday, March 27, 2007
A Little Hollywood in Big D
Although I've never had any desire to live in Los Angeles (there will be Texas bluebonnets in heaven, you know), I must admit that a little taste of Hollywood creates a merciless hunger for more. What must it be like to bump into filmmakers at grocery stores, pharmacies, and coffee shops like ordinary people?
Texas is aggressively working to bring the film industry in the Lone Star State and in the DFW metroplex to its full potential and AFI Dallas International is helping make giant leaps toward doing that. We also have very active film commissions statewide and locally including Dallas, Austin, Houston, and San Antonio. There's even a film commission in Amarillo and El Paso. El Paso! Do you know what is in El Paso? NOTHING. Well, nothing but room to shoot twenty eight films in the area including portions of The Day After Tomorrow and Man on Fire. And you thought El Paso was just for Mexican border and desert films, didn't you?
While AFI Dallas may not fill all 60,000 seats in its 190 films and events, as Chris Vognar of the Dallas Morning News said, "we're the new kid on the festival block" and Texas is serious about bringing the film industry to where the deer and the antelope have big hair and drive Chevrolet pickup trucks.
AFI Dallas
Film Screening Guide
Free Classics Showing at Victory Plaza
Texas Film Commission
Texas is aggressively working to bring the film industry in the Lone Star State and in the DFW metroplex to its full potential and AFI Dallas International is helping make giant leaps toward doing that. We also have very active film commissions statewide and locally including Dallas, Austin, Houston, and San Antonio. There's even a film commission in Amarillo and El Paso. El Paso! Do you know what is in El Paso? NOTHING. Well, nothing but room to shoot twenty eight films in the area including portions of The Day After Tomorrow and Man on Fire. And you thought El Paso was just for Mexican border and desert films, didn't you?
While AFI Dallas may not fill all 60,000 seats in its 190 films and events, as Chris Vognar of the Dallas Morning News said, "we're the new kid on the festival block" and Texas is serious about bringing the film industry to where the deer and the antelope have big hair and drive Chevrolet pickup trucks.
AFI Dallas
Film Screening Guide
Free Classics Showing at Victory Plaza
Texas Film Commission
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